Familia / Famiglia - New Mural On Graham Ave and Grand St

The Grand Street BID is excited to debut Familia / Famiglia, a new mural we have commissioned on the north-east corner of Grand Street and Graham Avenue! Artists, SON-CORO and Danielle Mastrion worked together to reflect the history and culture of the neighborhood and bring beautiful, vibrant artwork to this important corner. Supporting Son and Danielle on the project are the Grand Street BID, the art production & mural company Dripped On Productions and local media group, OWLEY Studios.

Click here to watch “FAMILIA / FAMIGLIA” , a short film showcasing the making of the mural.

SON-CORO

Dripped On Productions prepping the mural site

Son is from Puerto Rico, now living a few blocks from the mural site. Danielle is Italian American, born and raised in Brooklyn; her mothers side of the family immigrated through Ellis Island to the neighborhood many years ago. The artists collaborated on this wall to represent the importance of integrating cultures instead of separating them. Using the personal relationships that each artist has to their heritage and the local area, various historic and contemporary motifs were used to show the cultures coming together in this historic area of Brooklyn. In addition, Graham Avenues’ dual naming as “Avenue of Puerto Rico” and “Avenue of Via Vespucci” that mark the historic makeup of the neighborhood are featured in their respective portion of the mural.

Danielle’s side of the mural is clad with important Italian-American cultural elements. From left to right there is the famous Giglio Statue carried through the streets of the neighborhood during the “The Dance of the Giglio”; a tradition of the Our Lady of Mount Carmel Church Feast that has been carried out in the neighborhood annually since 1903. The statue blends into the row of typical residential Brooklyn buildings on the bottom. Hanging from the top left is the Italian horn necklace known as a “Cornicello”, which is an Italian amulet or talisman that is worn to ward off and protect against the evil eye (malocchio) and bad spirits as well as promote good luck and fertility. Behind the horn is an old school neon Pastry Shop sign signifying traditional Italian immigrant businesses that still are present in the neighborhood. At the top is the street sign marking the north side of Graham Avenue as Graham Ave Via Vespucci.

The main feature of Danielle’s side is the woman in the left center, holding the espresso cup. This image is a portrait of the artist’s grandmother, Rose (Rosaria Anobile) who grew up in the Williamsburg area after her family immigrated from Italy, hence the Ellis island immigration stamp to her left. Rose, like many immigrant women of all backgrounds at the time, was a seamstress, hence the spool of Italian colored yarn and thimble on the far left.

Danielle Mastrion

Her name is why she sits behind two beautifully painted roses and is surrounded by luscious white Lily’s, the national flower of Italy. Finally, her necklace, a jewelry style typical of both Italian and Puerto Rican cultures in New York City, reads “Italiana” - Instead of the traditional nameplate, representing Italian-American women as a whole. This is also complimentary and matches the other portrait on the wall, who is wearing gold earrings with the words “Boriqua”.

The top right of Son Coro’s portion of the mural depicts the artist’s fiancée as a character she named, “Musaraña”. Musaraña has a combination of characteristics from contemporary icons Iris Chacon and Celia Cruz, with characteristics of a Puerto Rican woman from the 1960s/70s. This character is influenced by motifs from when Graham Avenue was first divided by the street signs “Avenue of Via Vespucci” and “Avenue of Puerto Rico”. In the background an eclipse forms, which only happens under specific circumstances of convergence - A reference to how this mural’s creation took place.

SON-CORO

On the top left of Son’s portion of the mural is the relevant street sign for “Avenue of Puerto Rico”. On the bottom, the Italian flowers from the left side of the mural morph into representative botany of Puerto Rico, the bird of paradise flower and the hibiscus flower. Finally, at the bottom right, perched on the pink Hibiscus, there is an orange Coquí frog. Coquí’s are a species of frog endemic to Puerto Rico and are well known for their loud night calls that sound very similar to their name. Bordering the bottom right are more residential style Brooklyn buildings that warp up to frame the right side of the portrait at the top.

The sharing of the coffee is representative of cultures coming together, collaborating, and existing together in this area for many years. The two women are shown enjoying a shared cultural staple while laughing and conversing, enjoying a moment of joy and peace. The coffee crosses the intersection, between the two street signs, to connect the cultures and represent that all cultures can thrive when they share, communicate, and share commonalities.

All photos provided by OWLEY Studios. Story written by Dripped On Productions, OWLEY Studios, and The Grand Street BID